About all kinds of water nymphs, at the Piante Gallery

Richard Evans who writes the Art Beat at the Journal, now featured in the monthy insert called the Muse, dropped in on me a couple of week before the opening at the Piante gallery of The Glacier Art Project and At Waters' Edge. We had fun looking at the paintings - which I strewed out on the floor in my studio - and in his art review he captured a lot of what I said, including the concept of "iciness". But, what I found brilliant in his writing was the interpretation he gave to the figures that appear in quite a few of the paintings. Here's what he wrote: "It’s so fascinating to observe how artists call upon their backgrounds and skills to bring forward themes using new visual clues. Iris has been a lifelong practitioner of drawing from the live model and in many of these prints anthropomorphic figures emerge as though calving into our presence."

Thank you Richard!

Here's what I say about these nymphs in the art: Greek mythology gives us a multitude of nymphs associated with life giving waters: Nereids, nymphs of the Mediterranean Sea, Hyades, rain, Limnades, lakes, Potameides, rivers, Oceanids, salty water and Naiades, of fresh water. At the splintering edge of a tide water glacier one can imagine playful Naiades, bathing, dancing, singing, and also raging as the glacier violently calves an iceberg."

Piante is open on Wed. through Sat. 11 a.m. to 5 p.m. my exhibit comes down on Aug. 30. I do have a key if one of my friends would like a private showing when the gallery is closed.

Sunset over Samoa or can an old smokestack be beautiful?

17 days until the vernissage at Piante in Old Town, Eureka, Saturday August 6, 2011

This is what happened. We had some time to kill between dinner out and a movie, so we decided to walk along the shore in Eureka, washed over by one of those icy cold and vibrant winter sunsets.

Without paying much attention, we ended up inside some large wire enclosures...and kept walking and taking photos and talking about the end of the pulp mill era. The end of the stink, and the end of the jobs. The rusting hulk, and the seeping toxins. How when we moved here our real estate broker pointed out the active smokestack with its plume across the bay. He thought it enhanced our view. He was part of the generation that saw this as progress.

Well, we got stuck, the gates were closed when we wanted to get back to the car. My man, manly as he is, wanted to climb over the tall fence. Luckily, before he actually did so, we found a way out of the maze. Don't know if my painting is based on his or my photo. We often photograph the same thing and then argue about who got the best shot. It is a three color registration monotype diptych.

For an extensive and unique exploration of human impact on our earth take a look at local artist and art professor Cynthia Hooper's paintings and videos. I quote from her website: "My videos, paintings, and interdisciplinary projects investigate landscapes transfigured by social and environmental contingency. My work is meditative and poetic, but also takes a generously observational and generally factual approach toward the places I examine."

27 days until opening of Glacier Art Project at Piante Sat. Aug. 6th!

I should have started blogging about this art show 34 days before the opening since it will include 34 pieces of art - or 6 years ago, since that is how long I have been working on this project.

But, then again, we were not blogging yet. The inspiration for the study and painting of glaciers started in Alaska, in the Glacier Bay in 1995 when I, together with my husband, his 85 year old mother, and our son, experienced out first calving glacier. Ever since glaciers have captivated me.

You are all invited to the opening, but if that is not possible, you can see the art on this blog and also on my website. At Piante Gallery in Old Town, Eureka, I will have two rooms. In the first larger space I will show the Glacier Art Project, 20 works, in the more intimate center room I will show At Waters' Edge, 15 works, shorescapes from our beautiful north coast. It is all about water.

I also thought it might be interesting for my readers to know all the bits and pieces involved in putting on an art exhibit - from the artists viewpoint. All the shadow functions after all the art has been created. Since I am fortunate to be working with a professional full service gallery - with a great reputation and a lot of experience - I am not alone in this work. The result will be a lovely, festive opening that will seem quite effortless!

Shadow functions for an exhibition:

Choose the best pieces for the show - I probably have twice as many.

Get the measurements of the gallery, make a preliminary layout of the work. For this I had wonderful help from my artist friend, Tina Rousselot, who has an eye for keeping a space exquisitely uncluttered.

Photograph, enter in iPhoto, name, sign, measure, and price all the pieces.

Update my website, start blogging, tweeting, linkedin -ing about the show. (overwhelmed already!)

Work on the wording of an invitation, choose a piece to feature. Check on dates, times, fonts.

Make a list of local people to invite, get their postal mailing addresses.

If you don't live here I'll send you an email invitation. You can see the show on my website.

Figure out when to send a press release to the local news media.

Invite local art critic home for an exclusive "vernissage" - and hope he comes.

Write the press release, choose images to go with it, send it out and hope it gets featured.

Write the artist statement - not too long, not too cryptic. In Swedish we have the word lagom, which means just right. Wish me luck!

For all the writing ask husband to edit...and thank him!

Figure out how to use social media to get out the word about the art show -

I could use your help with this. How are you making use of social media?

It all started with seeing calving glaciers at the Glacier Bay of Alaska. Here are two monotype paintings showing the explosive calving, and the lovely frigid bay.